Ingrid Lukas – We Are

RON015 | released 24 June 2016 | “I hear a lot of albums… this one is special. Not easy to be both unique and accessible these days, you’ve done it.” – Greg Calbi, Senior Mastering Engineer, Sterling Sound New York

On We Are, Ingrid Lukas explores her own musical and personal development. With her, the two are
inseparable – and reflected in her lyrics as well. After We Need to Repeat and Silver Secrets, Ingrid
and her group have recorded an album that reconciles the different elements of her personality.
Urban beats unite with mystical and calm sounds, hymnal strings with grungy bass lines and the
Estonian Regilaul tradition with modern song forms.
Ingrid creates musical mantras and sings them to keep herself on her own chosen path. By doing
this she gives us songs and moods that shed a very personal light on issues that we can all identify
with. Her music takes us on a journey into the demimonde of spirits and demons, we are driven by a
mangy urban beat and finally swim in musical water, which flows from a healing spring.
On her musical travels Ingrid is accompanied by her colleague of many years, drummer and
electronics wizard Patrik Zosso, who also produced the album together with Nik Bärtsch. Michel
Gsell plays bass and violin, in the live line-up to be replaced by Manu Rindlisbacher. Céline-Giulia
Voser plays cello and sings backing vocals.
Despite the sophisticated production, We Are was created by a staunchly committed working band
that has been collaborating already for a long time and developed their musical style together.

Text: Kim Longin, Ronin Rhythm Records

Ingrid Lukas in the press:

“Everything revolves around one thing only – the passionate dedication of a musician who lets you be part to her secrets without giving them up.”

Andreas Dietrich, Tages-Anzeiger (Switzerland)

„Ingrid Lukas is the best-kept national secret of Estonia.“

Koit Raudsepp, Radio 2 (Estonia)

„With electronic effects she exposes the acoustic accompaniment to the winds and weather of Nordic landscapes.“

Ueli Bernays, NZZ (Switzerland)